NEW HOPE INTERNATIONAL REVIEW

An independent small press poetry review

NHI independent review
The Shop
Skeagh
Schull
Co. Cork
Ireland
ISSN 1339-8681
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This page last updated: 13th October 2008.
THE SHOp #23

Fifty-nine poems (plus snippets and illustrations) luxuriate in seventy-seven pages. Like an expensive sofa, THE SHOp (yes, that's its format) gives comfortable white space round each poem. The magazine, measured, is not quite square, but feels like it. You are relaxed before you start to read. This is just as well because the writing included merits close attention. House style —- mostly no capitals on left margin (hooray!); not many quips or one-line epigrams (also, hooray!). Here is Lidija Simkute giving the recipe in THE SPACE:

	The space
	in between

	gives the words
	their sound
Yes, most of this magazine is white "space between", but half of any film is white and half of any loaf is air. For the most part the poems are as subtle as ghazals, with no outrageous rhyme. Almost half the contributors are Irish, with the other half from round the world. Ireland, however, manages to come through like sharp perfume. Michael O'Dea , from A MIDLAND TOWN, A COUNTRY TOWN, gives us a pub conversation which sounds like an Irish version of that haunting American pop-song, TALAHASSEE BRIDGE:
	'Wasn't Maggie Deegan related to the Nealons?'
	quizzes Tadghg. 'She was, and Brennans in Clooncraff'.
	Terry Watchorne comes in. 'How's Terry.
	'A pint Terry?' Climbing off the stool,
	over to the tap, lifting her arm, she says
	'Wasn't that awful about Kate Nealon'.
Michael Mott, in SHIP BURIAL, ISLE OF MAN goes in for thickly-packed description, shown in these few lines taken from his two pages:
	This sparrow-fierce morning, bright
	as the splintering sea...
	..the whole sea-and-soil world,.
	. ....wind-tugged scalps of grass..
	..dark garnets of hail...
	...thousand-year grief of the gale.
Another funeral described by Diarmuid O'Keefe is WHITENED BLACK (this magazine also links subject-matter like a subliminal novel..)
 
	Crows had been circling for days,
	With their chalk board tunes and ill-faith ways.
	The lamenters gather around the newly solemn pit.
	Dew clings futilely to blackened walls unlit.
Digging as deep, a pure Gaelic-language construction shows through in Albert Conneely's HALTING SITES:

		.. woken from somnambulant pissing—
	finished to silence, the lid replaced and the shake
	of two steps, the hush of the quilt round you
	and the isolation returned to me in my narrow bed.
Up to date with current wars, Neil McCarthy, in THOSE WITH EARS POLITE, comments on
	actions ordered, then denied; we wait
	for progress to prove genocide, for weather
	to bring us new conversations
	and masks

	to cover our blushing cheeks...
	. alibis for something that
	never happened.
But let the last word go to Madge Herron, Irishwoman extraordinaire. I remember her reciting at The Lamb and Flag in Soho, a wild, crammed onslaught, impossible to write down; Madge refused to let her work be published. A tribute to her begins this issue, with some of her rescued poems, as in A PRAYER TO ST THERESA (ON BEHALF OF MY FATHER WHO IS MAD)
	Socially, we are tremendous.
	If it is friendship you are after
	we will come tumbling up to you.
	In Donegal, Gaelic is our language
	With its humps, its shadows it is like Ourselves.
	You go up a mountain and down the other side
	to find out how you are.
There are many other outstanding writers here, for you to discover yourself. These short quotes do not do them justice. This is merely to open the door of THE SHOp slightly, to tempt you in.

reviewer: Pat Jourdan.