NEW HOPE INTERNATIONAL REVIEW

An independent small press poetry review

NHI independent review
Gusts
Tanka Canada
Kozue Uzawa
44 - 7488 Southwynde Ave
Burnaby
BC
V3N 5C6
Canada
ISSN 1715-3581
$8.50 [US$7.50]

email Tanka Canada
visit the website of Tanka Canada

lastest issue appears to be #6

www
NHI review home page
FAQ page
Notes for Publishers

book reviews
anthologies
magazines
other media

Web design by Gerald England
This page last updated: 1st February 2008.
Gusts #2

Gusts: Contemporary Tanka is a biannual publication of Tanka Canada. There is, understandably enough, something of a missionary zeal on the part of the two editors, Kozue Uzawa and Angela Leuck, to spread the influence and popularity of tanka. There are about 150 of them here, grouped under various thematic headings such as of love, birds, trees, flowers and so on. Here is a fairly standard yet nicely-done piece from Thelma Mariano:

	in tonight's sky
	your memory still lingers
	a thin moon
	growing fainter with each step
	I take towards home
Here is a more complicated piece from Bill West, with layers of meaning and perspective:
	When I see you walk
	or stand looking at shop goods,
	I know to stand back
	to keep others from seeing
	me look at your reflection.
This succession of images and their interweaving suggestiveness, like drawing a picture, is also expertly done by Philomene Kocher:
	with her arthritic fingers
	the Eucharistic Minister
	places the bread
	in my open hand
	her smile too
The following is a fine, tautly expressive piece from Patricia Prime:
	this walk peels back
	layers from the rain
	that follows me
	I have taken this path before
	between willows in the rain
There are other commendable tanka from Pamela Cooper, Edward J. Rielly, Yoko Riley and many others. There is also a gushing article by Angela Leuck on Sanford Goldstein, a writer and translator of tanka, in celebration of his eightieth birthday; she refers to him as
the universally acknowledged father of English-language tanka
The issue concludes with a small number of reviews.

reviewer: Alan Hardy.
Gusts #3

This is a biannual publication of Tanka Canada. It has an A4 format. The cover design, by Daniel Hayashizaki, is extremely pleasing. There is a committee approach to the selection of tanka, and there is a page of 'Best tanka'. I give below two examples from this page:

	Maybe tomorrow
	what I really want
	will reveal itself —
	the first crocus bud has
	a hint of purple

	George Swede

		waking up alone
		to a morning chill —
		I wonder
		if it was you or the moon
		who left here first?
		
		Stanford M Forrester
The rest of the tanka are separated according to theme — spiritual tanka, elegy, the seasons, and love tanka etc. The pages contain many names I recognise. From the section on humour, Karin A Grimnes' tanka stayed in my mind all day:
	on a lamp post
	two seagulls
	bob and scream
	final papers
	in the mailbox
The work is strong and typical of this fine journal. There is a page of translations as well as the usual reviews. Recommended.

reviewer: Doreen King.
Gusts #4

This is a biannual publication from Tanka Canada and as such is filled with tanka, with a few reviews of tanka publications and a couple of essays on tanka. The magazine is A4 with a card cover showing a beautiful photo of a lake. The tanka are well laid out and organised into several categories. This issue starts with a series of BEST TANKA. Three of these particularly stand out for me. From Pamela Cooper:

	an arduous trek
	through ancient Roman ruins
	these weary bones
	I gaze longingly upon
	a stone ossuary.
For me this uses the tanka to perfect effect, placing the personal weariness within the context of ancient history and throwing both into relief. The second in this section that particularly appeals to me, is this haunting one from Claudia Coutu Radmore:
	all night long
	loons across the lake
	sing of things 
	we will never know
	about the world.
This from Giselle Maya also stands out, for its subtle humour and its allusion to a well known fairy tale:
	brown speckled toad
	in the water basin —
	might this be a sign
	of a prince 
	soon to appear.
Thelma Mariano uses her observation of nature to answer an emotional question in the SOUND section of the magazine:
	how to navigate
	this rough patch in my life?
	at the river
	the murmur of water
	as it ripples over rocks.
In the FOUR SEASONS section Joanne Morcom uses a seasonal observation to comment on a fading relationship:
	after Halloween
	the Jack O'Lantern on the porch
	dries out
	the two of us
	drift further apart.
In contrast Monika Thoma-Petit's tanka uses the contrast of a beautiful winter evening to throw the speaker's anger into stark relief, to calming effect:
	briskly
	my angry steps on the hardened snow
	in the cold air
	this bright and silver moon
	in perfect roundness.
Anna Holley's offering about a cat, included in Michael Dylan Welch's short essay FOUR FAVOURITE TANKA is a beautiful portrait of the relationship between a human and an animal:
	with no word spoken
	between us,
	sitting together under the autumn sky
	a cat and I.
In total contrast, is this very modern and humourous tanka on the PEOPLE AND FRIENDS section from Zane Parks:
	that dark man
	running fiercely 
	toward me
	I too am fearless 
	on my treadmill.
I really enjoy how the readers expectations are turned around by the second part of this tanka! I could quote many others from this magazine, as there are so many impressive examples of the form here. I will however, restrict myself to just one more, from the translations page CONTEMPORARY TANKA FROM JAPAN, this lovely one from Yukitsuna Sasaka:
	like a child
	making fresh, crispy sounds
	you crunch on celery sticks
	I don't need a reason
	to adore you.
In conclusion then, this is a must-read magazine for anyone interested in tanka. The editors have done an excellent job in bringing together a great variety of works that are all fine in their own way and the best are outstanding.

reviewer: Juliet Wilson.