![]() THE DREAMING ROOM edited by Michael McClintock & Denis M Garrison Modern English Tanka Press PO Box 43717 Baltimore MD 21236 USA ISBN 978 0 6151 5083 3 $17.95 email Modern English Tanka Press visit the website of Modern English Tanka Press ![]() Web design by This page last updated: 10th December 2007. |
THE DREAMING ROOM | |
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THE DREAMING ROOM is an anthology of tanka sequences, which break with the narrative style of most modern Western poetry offering instead a 'dreaming room' where the reader is invited to fill the spaces between the tanka (and occasional haiku) with his or her own musings. In some cases the tanka in a series may at first seem unconnected but slow reading illuminates the connections and the individual poems work together to offer insights that flow like dreams. Often the whole sequence needs to be read for the connections to be clear, but sometimes the juxtaposition of two tanka are clear and useful for review purposes, as these from Tom Clausen's A WORK OF LOVE: tiny bluets all around me and over there a couple, very much in love I can't help my desire glancing over to her terminal after little bits of decent time have passedMargarita Engle's series SUMI-E describes an artist at work, concentrating in each tanka on a different technique, a different part of the picture: wide brush for sea and sky a fine point of horsehair becomes feathers bamboo drawn upward from roots the earth a single strokeMost of the tanka could stand alone as fine examples of the form, for example from Tom Clausen's sequence A LITTLE DANCE OF THOUGHTS: in her rocking chair my grandmother had a far off look... a clear long standing sense of autumn for too long nowand from Jeanne Emrich's sequence LIKE A SEAL WOMAN: a blur becomes an eagle above frozen ground — in my dream images of open water, of a child, waitingThis is a wonderful collection to be read slowly and savoured by anyone who loves tanka or who wants to explore the form further. It can be read several times over, reading the works variously as series or as individual tanka. | ||
| reviewer: Juliet Wilson. |