![]() WORLD HAIKU 2006 edited by Ban'ya Natsuishi World Haiku Association 3-16-11 Tsuruse-nishi Fujimi Saitama 354-0026 Japan ¥6,000 [North America US$35; South America/Asia {ex-Japan}/Africa/Middle East US$10; West Europe €35; East Europe/Russia €13; Oceania US$20] email World Haiku Association visit the website of World Haiku Association Subsequent anthologies include World Haiku 2008; World Haiku 2009 (World Haiku Association ISBN 978 4 87944 135 5) ![]() Web design by This page last updated: 20th March 2009. |
WORLD HAIKU 2006 | |
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This is a very substantial publication with more than 200 pages of poetry and related material, roughly half of which is in English, and the remainder in Japanese. It includes verse translations from many languages; a haiga gallery with monochrome illustrations; advertisements for contests; subscription information and a submission form. Most importantly it includes work by 159 poets in languages ranging from English and Japanese to Slavic, work by junior writers and five essays on haiku criticism, advice and editorial reflection. In a work of this scale and breadth it is inevitable that there should be some very fine writing. In attempting to make a representative selection, I initially chose more than twenty poems of various types, from which short-list here are some favourites (cited in English): Midnight neon advertising lights the eyes of a dog Dejan Bogojević Torrential rain — Christians and Jews find shelter in a mosque Vladimir Devidé A flower vendor's voice keeps chasing me at the end of the year Tomiko Endo In front of the minarets bent fishing-rods cats waiting Kaj Falkman cold Aegean sun — the temple half stone, half shadow Stanford M. Forrester The red stars of maples Cover the ground Warm twilight Lyudmila Hristova Chilly evening, the chant of the witches warms the moon Toni Piccini The autumn air is so high a river of sulfur curved Sumiko Saito first snow a homeless child carrying a dollhouse Petar TchouhovClearly this is merely scratching the surface of this journal's outstanding selection of work. To gain a real sense of its merits — including its variety, humaneness and spiritual zest — it is a publication that deserves reading and re-reading. It is one I highly recommend for anyone interested in how this ancient form of art is currently being practiced worldwide. | ||
| reviewer: John Ballam. |