![]() IN THE SHIP'S WAKE An anthology of tanka edited by Brian Tasker Iron Press 5 Marden Terrace Cullercoats North Shields Tyne & Wear NE30 4PD UK ISBN 0 906228 81 6 £5.99 email Iron Press visit the website of Iron Press ![]() Web design by This page last updated: 10th December 2007. |
IN THE SHIP'S WAKE | |
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This anthology of tanka edited by Brian Tasker is a delight to hold. It is pocket-sized and each tanka is printed separately on thick cream paper. The book has a nicely balanced foreword by Tasker on the history and development of tanka from its origins in Japan to the present day. Anthologies by their nature are in some respects ephemeral literary things. A particular person or group often bases them on literary views and sets of values which sum up an attitude to the past and present held at a particular moment. But Tasker makes it clear in his foreword that the anthology has defined itself as retrospective and as being representative of tanka development which could stand as a point of departure.The choice of poems is necessarily limited by the editor's subjective preferences. IN THE SHIP'S WAKE includes 75 poems by 60 poets from a variety of countries: some of the poets have familiar names and others are less well known. In selecting 60 modern poets, Tasker has tried to incorporate some of the styles in which tanka have been written in the West at the turn of the millennium. Tanka, a 31-syllable lyric, made up a great majority of Japanese poetry from the ninth to the nineteenth centuries and was the inspiration for such poetic forms as haiku and renga. This classical Japanese verse form has experienced a resurgence of interest among poets and readers during the past decade, and the five-line verse can now be seen in many varieties and styles. Whatever its form, tanka retains the aesthetic qualities of Japanese culture, but just as Japan has changed during the upheaval of the last century, so tanka has undergone rigorous and vital renewal. Responding to poetic change and the movements in poetry during the twentieth century, tanka has incorporated many transformations. Although each poem has the same five-line limit, the poets show real poetic skill in providing a panoramic exploration of such topics as fruit, owls, weeding, bird song, sailing, raindrops, and fingernails. There is spirituality in the honing of the hardest skills: word economy and word strength. These poems are a kind of exclamation of life with the five lines of the tanka dotting, exclaiming, and finishing. The topics of the poems reach all the way from Annie Bachini's I walk by the park where we first met — its lamplights flicker as the early morning rain clings to the summer grassto Stuart Quine's after the funeral he sleeps on her side of the bed winter sunlightand beyond — the verse equivalent of fusion cooking — which turns everything that comes to hand into something rich and strange, or simply fresh and appetising. Which poems draw me back time and time again? Poems like David Rice's night sky in a still pool a tear hits the pool ripples carry my troubles to a distant starThese are poems to embrace the new millennium, poems that provoke the reader spiritually, intellectually, and emotionally. Let this book sing to you. Take time to listen and through the images, conjure your own feelings — tap into the connection. | ||
| reviewer: Patricia Prime |